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西湖婉轉與花廚美學，打開女性時光的多重緯度

West Lake Grace & Tomacado Aesthetics，Unfolding the Multitudes of a Feminine Temporality.

▼項目一瞥，Preview ? 孫駿

逃離冷冽的城市，投入滿是鮮花環(huán)繞治愈之地，這里不是一個簡單的餐廳，這里是Tomacado 花廚和梁筑一起走過的這七年，圍繞一城一花、一花一餐的品牌美學體系，它擁有著絕佳的地理位置，坐落于杭州湖濱銀泰in77A區(qū)，直面西子湖畔，以“荷”為設計線索，設計師將女性優(yōu)雅揉進流動的時光，為餐廳空間賦予豐饒的生命之姿。

This is Tomacado, not just a simple restaurant,but a healing destination surrounded by flowers,an escape from cold city jungle. Under the brand aesthetic ——One City One Flower, One Flower One Meal, Liangzhu and Huachu have been working together for the past seven years,with Tomacado as the latest outcome.Located in the 77A area of Hangzhou Lakeside Intime,Tomacado has the perfect location facing the West Lake.The designers have poured an elegant & feminine aesthetic into the spatiality & temporality, with lotus being the design clue, creating a dining place full of vitality.

▼餐廳外觀，Exterior view ? 孫駿

▼入口細部，Entrance detailed view ? 孫駿

設計思考 | Design Thinking

建筑與物體

Architectureand Objects

設計師通過建筑的語言和思維方式與空間發(fā)生關系，物質既承載功能，也可以是環(huán)繞空間的動線載體在空間設計中探索和實踐。在思考建筑與物質的構造關系中，空間將呈現其特有的節(jié)奏和層次，同時不同界面的關系可以被貫通、模糊、再關聯(lián)，空間與物體相輔相成的存在既充滿趣味，也賦予空間多重價值。

The designer relates to space through the language of architecture and the way of thinking. Objects can be functional, while being the carrier of the motion line in the space to be explored and practiced. In thinking about the constructive relationship between architecture and objects, space will present its unique rhythm and layers, while the relationship between different interfaces can be penetrated, blurred, and re-associated in the same time. The co-existence of space and objects complementing each other is not only full of sparkling of interests, but also endowing multiple values to space.

▼用餐區(qū)，Dining area ? 孫駿

▼吧臺區(qū)，Bar area ? 孫駿

花廚西湖店內，荷花所營造的物質界面與餐廳建筑界面彼此照應，在一靜一動、一實一虛的平衡中構成飽滿生動的整體。

In Tomacado, the material surface created by the lotus flowers and the architectural surface of the restaurant are in counterpoint to each other constituting a vivid entirety in the balance of motion and stillness, between the reality and the virtuality.

▼卡座區(qū)，Booth area ? 孫駿

▼用餐區(qū)，Dining area ? 孫駿

結構&內外 | Structure & Enclosure

納入四時光景

Bring in the Four Seasons

花開西子湖，通過重建內外空間關系，設計師將四季荷塘、湖畔疊影、流水廊橋一并納入空間。通過樓層結構調整，設計打破原建筑局限性，將二層與三層沿湖就餐區(qū)打開視覺通道，完成了自上而下和自下而上的視覺貫通，解決了原本的層高壓迫感，大大提升了就餐體驗。由商場進入餐廳的入口則以金屬鏤空銅板包覆，與臨街開闊明朗的落地窗形成對比呼應，輕盈與隆重并序。

Flowers bloom on the banks of West Lake. With the reconstruction of the relationship between inside and outside space, the designer has incorporated the scene of four-season lotus pond, overlapping lakeside and water flowing beneath corridor bridge into the space. Through floor structure adjustment, the designer breaks the limitations of the original building and creates the visual channel between the second and third floor for the dining area along the lake, which accomplishes the visual connection from ground to ceiling. This resolves the oppressive feeling of floor height and greatly enhancing the dining experience. The entrance to the restaurant from the mall is clad with metal hollowed copper panels, echoing the open and clear floor-to-ceiling windows by the street, which made it overall both lightweight and grand.

▼走廊，Corridor ? 孫駿

從戶外向內望，依稀可見實現挑空后的樓層曲面結構與內部餐位，優(yōu)雅舒闊的通透感與入口的懷舊的時光意趣構成反差張力。室內拱形結構形成三層向二層的圍合式挑空，與花藝裝置產生對話，光影灑落在花朵上，硬朗的空間被注入柔軟的情緒，細膩的材質與淡雅的色彩更好地貼切女性的溫潤柔美。

Looking inward from the streets,the curved structure of the floor and the interior dining space can be seen vaguely after the hollowing out, the elegant and comfortable sense of transparency forms a contrasting tension with the nostalgic mood of time at the entrance. The arched structure of the interior forms an enclosed atrium from the third floor to the second floor, generating a dialogue with the floral installation. With light and shadow falling on the flowers, a soft atmosphere is here injected into the solid space, towards a feminine aesthetic through delicate materials and gentle colors.

▼挑高空間，Atrium ? 孫駿

荷花 | Lotus

重塑視覺記憶

Reconstruction of Visual Memories

荷花作為西湖最富代表性的視覺符號，設計師以《西湖荷塘》為靈感，在都市中感受鬧中取靜的清雅，也成為杭州花廚闡釋在地理念與主題形態(tài)的載體。

The designers take West Lake Lotus as a vehicle to interpret the genies loci and brand concept. The lotus flower, as the most recognized visual symbol of West Lake, embodies the concept of Tomacado,which is to seek serenity in a crowded and buzzing city.

▼荷花裝置，Lotus installation ? 孫駿

設計師提取了荷花的概念來詮釋花廚的品牌理念體系，作為樓梯空間的載體，充滿著西湖雅韻，自三層屋面垂下的荷花主裝置內部載有機電結構，使巨大的荷花主體可以盛放、閉合、擺動，絲綢質地柔韌輕盈，把花的美麗最大程度的展現出來，設計的路徑來自于花的自然形態(tài)和美麗，從墻緣門洞探出在垂直空間貫通就餐區(qū)，同時也作為視覺線索引導就餐者。

Lotus is used to interpret the Flower Kitchen branding system is multiple ways. As the centerpiece of staircase space, the main lotus installation hanging down from the third floor roof contains electromechanical structure inside so that the huge body of lotus flower can bloom, close and swing, displaying a fully charged charm of West Lake elegance. Its silk texture is soft and light to show the beauty of the flower to the maximum extent. The design of pathways comes also from the natural form and beauty of the flower, poking out from the wall edge doorway, running in the vertical space through the dining area, and also as a visual cue to guide the diner.

▼自屋面垂下的荷花裝置 ? 孫駿

The lotus installation hanging down from the ceiling

荷花有節(jié)律地綻放，原本的靜態(tài)空間隨葉片開合吐納，結合層層遞進疊錯的動線場景，形成小小的微縮寰宇——建筑空間從直白袒露到模糊婉轉；從嚴肅簡潔到豐滿靈動；從恒定唯一到隨四時流轉，時時處處皆有意料之外的觸動驚喜。

The lotus blossoms rhythmically, making the originally static space breathing along with the movements of petals.Overlapped progressively with layers of pathways and scenes, the architectural space evolves into an otherworldly universe, from straight forward from straightforward and bare to blurred and gentle; from serious and simple to rich and flexible; from constant and unique to flowing with the four seasons, with unexpected and surprising touches at all times.

▼荷花裝置細節(jié)，Installation detailed view ? 孫駿

▼室內細節(jié)，Interior detailed view ? 孫駿

墻面浮雕是荷花作為視覺記憶的另一種體現。雕塑硬朗的恒定感與動態(tài)立體的荷花彼此輝映。桌花與橄欖在此基礎上點綴，共同完成了內部以荷花為主題的完整生態(tài)場景，花的形態(tài)借由建筑空間實現了完整豐富的表達，自然之美與生命能量在此生發(fā)。

The wall relief is another representation of lotus as a visual memory. The permanence of the sculpture and the dynamic three-dimensional lotus reflect each other. The flowers and olives on the table serve as accents, which together complete the ecological scene of the interior with the lotus as the theme, and the flower form is expressed in its full richness through the architectural space, where the beauty of nature and the energy of life are born.

▼墻面浮雕，The wall relief ? 孫駿

設計師將室內美學與外部自然相結合，自然光照入室內，與荷花形成絕妙搭配。花與影子相依相隨，落在墻壁和盤中，為拍照攝影愛好者營造氛圍感和雙重視覺享受。

The designers concern the aesthetics of the interior with the nature outside. The lotus flower installations are at their best presentation with the natural lighting shining in. Layered shadows are casted on the flowers themselves, and on the walls and plates. It is a delightful scene favored by the photographers.

▼沐浴在自然光下的用餐區(qū) ? 孫駿

Dining area illuminated by natural light

伴隨著日落，暖色光映入眼簾，空間的格調也在悄然的發(fā)生變化，臨窗座位也成為了西湖畔看日落的好去處，仿佛置身于“荷塘中”一般，身側即是波光粼粼的西湖水面和橘色日落，親身體驗自然所帶來的視覺享受。

At the sunset, daylight turns warmer and changes the tone of the space subtly. The window seats are best locations to appreciate the sunset on the West Lake. It feels like being immersed in a “l(fā)otus pond” with the sparkling lake water and the soft orange sun. It is a visual delight that only can be experienced by being there and then.

▼日落十分，Sunset ? 孫駿

▼光點，Light spots ? 孫駿

品牌基因 | Brandgenes

創(chuàng)造“她”時代

Creatingthe “her” era

黃昏，陽光投入臨街玻璃窗，也透過金屬板孔洞躍動。光影落在輕薄的絲綢葉片上，荷花仿佛被注入生命，悠然開放，這些由自然饋贈的意外之喜為設計又添一份迷人和珍貴。燈光低垂，西湖水微波，花廚、城市與自然從未分離，一花一世界，一城一故事，花廚借餐廳空間孕育“她”時代，永不止息地創(chuàng)造女性哲學當代生活方式。

At dusk, the sunlight pours in from streetside windows, through the glass and filtered by the perforated metal panels. The dappled light moves on the thin and translucent silk petals of the lotus installations, as if bringing life to them. It is a surprisingly beautiful gift from nature.

▼一花一世界，The world of Tomacado ? 孫駿