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這是業主租的位于北京天壇生物歷史建筑群院內的房子，該樓是始建于1982年的磚混結構樓房，因此內部空間格局很難改動。同時，房主有意保留大部分現有家具。因此對建筑以及保留家具的尊重成為我們這次設計的先決條件。也因此，主動地化設計限制為設計素材是我們的首要任務。

▼項目一瞥，Preview ? 后時建筑

The apartment is located in the dormitory area of Tiantan Biological Products Co., Ltd which is the historic buildings. The building is built with brick-concrete structure in 1982, so it’s difficulty to adjust the special layout. The owner let it out, but want to keep the most furniture in the house, only could trash few things. Therefore, respecting the historic building and the existing furniture is the condition of this design. Turning the design limitation into design material is the primary task.

▼現狀條件，Existing condition ? 后時建筑

▼插畫，Illustration ? 齊玥

這里將承載業主的生活及其辦公的所有內容，共同使用的還有兩只貓。因此生活和辦公空間、貓和業主的空間，是這個設計需要思考的平衡點，使得他們和諧并相互支持，而成為相互生命中的一份禮物。

貓和業主的空間交織方式、新舊空間以及家具的交織方式是我們這次設計的切入點。

This apartment will take on the client’s live and work, and be shared with two cats. So we have to balance the space between the live and work, between cats and user, in order to make them could support each other as a gift.

Weaving space between cats and client, weaving furniture between new and existing, is our design idea.

▼形成新的公共空間邊界，Creating a new boundary for the public area ? 后時建筑

▼置入新空間要素，Integrating new spatial elements ? 后時建筑

臥室 | Bedroom

作為貓和業主、生活和工作相互編織并給予的核心節點（臥室），貓帳篷和床鋪的組合，給臥室創造出4平左右的小型“客廳”。貓帳篷處于窗戶和“客廳”之間，并分別有一道橫向和豎向的縫隙與窗戶和“客廳”聯系，它們也成了貓帳篷的窗口和門口。

As the core space of weaving between client and cats as well as live and work, the combination of cat’s tent and bed splits the bedroom into two rooms, bedroom and “Livingroom”. The cat’s tent is placed between window and “livingroom”, which connects the window and “livingroom” by the vertical and horizontal opening.

▼臥室門口，Entrance to the entrance ? 后時建筑

在帳篷和床鋪之間有一個直徑500mm左右的圓洞，以供它們穿梭，也建立起業主和貓的交流通道，同時在圓洞邊緣嵌入LED燈帶，提供房間照明。在夜晚，燈光穿過貓帳篷的門洞，集成一束光線打在“客廳”的天花和側墻，這里也成了沉思的地方。

There is also a round hole in the right side of cat’s tent, which allows cats cross the tent and bed freely, also allows the client communicate with cats directly. We assemble the Led light in fringe of the hole as the light of the room. In the night time, the beam of light comes through the vertical opening, and hits the celling and wall of the “livingroom” that is a meditation space.

▼貓帳篷，The cats’ tent ? 后時建筑

▼貓帳篷細部，Detailed view ? 后時建筑

玄關 | Hallway

玄關區域采用灰色涂料與餐廳形成統一的公共區域感，在這一米一寬的過道里，左側采用懸挑結構的不銹鋼開放架，右側采用半透明的陽光板來遮擋原有墻面繁雜的裝飾元素，都盡可能地避免由于改造利用，導致過道過于狹小而帶來的壓迫感。

The hallway and dining room are painted gray to emphasis the public area. In this 1.1meter wide corridor, on the left side, we designed a cantilevered stainless steel shelf; and on the right side, we covered the original wall with 10mm thickness polycarbonate hollow sheet, in order to hide the complicated decoration on the wall. The treatment on the both side, could avoid the sense of oppression caused by the narrow corridor due to the renovation and utilization.

▼玄關和不銹鋼架，Hallway and the stainless steel shelve ? 后時建筑

▼玄關不銹鋼架細部，Detaild view ? 后時建筑

餐廳 | Dining room

通過U型操作臺面將原有廚房、家具以及新增家具全部組織起來，從而強化餐廳的空間特征和次序，以及舒適的使用體驗。新增的不銹鋼開放架為了有機地銜接了原廚房內的櫥柜和可移動餐邊柜，有意將豎向結構件遠離相鄰的柜體，盡可能簡潔地通過橫向層板與原有柜體毗鄰，來協調新舊之間的和諧。

The existing counter, the furniture and the new cabinets are organized by the U-shape counter top, which also contribute the strong spatial characteristic and the order for the dining room. In order to connects the cabinet in the kitchen and the sideboard organically, we keep the pillar of the stainless shelf away from the adjacent cabinets deliberately, so that the new shelf could adjoin the existing cabinets through horizontal sheets as concisely as possible.

▼餐廳，Dining room ? 后時建筑

對于一些我們不需要但房主又希望保留的物件，還需要進行額外的儲藏設計，最具難度的便是原廚房的三扇推門（每扇尺寸是550x2150x30），臥室的木門（尺寸為800x1950x45）。如何組織及協調現有家具、如何置入新的設施，而且要盡可能少地破壞目前建筑，是我們給自己設定的一個設計命題，也成為一系列節點構造上的難題以及趣味。

For some items that we don’t need but the owner wants to keep, we have to figure out how to store them. The most difficult ones are the three sliding door at the kitchen (each size is 550x2150x30) and the wooden door of the bedroom (size is 800x1950x450), How to organize and coordinate existing furniture, how to put in new facilities without destroyed the existing house is a design proposition that we setup for ourselves, and that also become a series of problem and interests in the constructional development.

▼餐廳局部，Dining room partial view ? 后時建筑

以物儲物是我們對家具改造利用的其中一個基礎，我們利用現有餐邊柜（450深）與操作臺面（550深）的尺寸差，產生出100mm的空腔來儲藏三扇推門。

Store one item by another item is a principle of transformation and utilization of furniture. We used the size difference between the existing sideboard (450mm) and the counter top (550mm) to create a 100mm cavity to store three sliding doors.

▼不銹鋼櫥柜，Stainless steel cabinet ? 后時建筑

▼不銹鋼櫥柜細部，Detailed view ? 后時建筑

工作室 | Studio

將南向陽臺內側的兩扇窗戶移除后，狹隘但陽光的陽臺空間圍繞著拆除窗戶后的窗臺，形成積極充滿活力的吧臺休閑區域，增加了靈活使用的可能性。

After removing two sliding window in the inner wall of balcony, we transformed the window sill into bar counter for the active and flexible use.

▼工作室，Studio ? 后時建筑

吧臺面的做法也延續不破壞現狀的原則設計節點，通過扁鋼和倒錐形調平支點來提供吧臺面平整的結構支撐。

The construction of the bar top also continues the principle of not destroying the existing house. We used the flat steel and inverted tapered fulcrums to support the bar top and anchored by the original screw which were used to anchor the window.

▼工作室島臺，Working island ? 后時建筑

在構造上，我們以每個構件節點在涂料墻面最多只打一個螺絲孔的原則，來設計每一個空間元素。最后我們只在墻面留下10個孔，便完成全屋的更新。

In constructional design, we make sure each component only need to drill one screw hole on the painted wall. Finally we only left 10 holes in the wall to complete the renovation of the whole house.

▼工作室島臺細部，Detaild view ? 后時建筑