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01.項目簡介Brief of Garden Home

項目位于北京朝陽區(qū)，套內(nèi)面積56平。希望破除空間盒子的僵硬定義，模糊空間中的界限與分隔。借鑒江南園林的設(shè)計手法，從需求出發(fā)進行空間延展，如同不斷展開的盒子，區(qū)別于外界的絕對的狀態(tài)，營造讓使用者可以放松的生活的模糊感。

Garden Home, located in Beijing, is a one-bedroom suite covering a set-inside floor area of 56㎡. This project is expected to explode the rigid definition of space box (i.e. the stereotyped designation of space), and to blur the boundaries and separation in space. In light of occupants’ actual needs, this project design co-opts the design techniques of the Garden on the Yangtze Delta to expand the space like a box keeping unfolding. Different from the abrupt and absolute partitions outside, this interior decor design offers occupants a relaxing ambiance and dreamlike aesthetic of life.

▼項目概覽，overall of the project ? 逸刻

02.生長的曲線S-shaped Walls

本案在空間中生長兩個S型曲線用來構(gòu)筑墻體，完成了對空間的基本分割，最終實現(xiàn)整屋建立起秩序，事物各就其位。

The two S-shaped walls in the project roughly delineate the function spaces, contributing to an orderly space layout and well-organized furniture arrangement.

▼生長曲線，Wall Trend ?逸刻

s型曲線一｜S-shaped Wall No. 1

曲線墻體的位置走向是依據(jù)現(xiàn)有情況和各功能空間的需求進行生長，其凹與凸都是服務(wù)于具體功能需求，將壁龕、首飾柜、床頭柜、鞋柜、書架等功能集合到了曲線墻體內(nèi)。

The curved walls stretches out in line with the current status and the needs of each function space, whose concaveness and convexity both serve specific functional needs and specially leave room for multiple furniture like niches, jewelry cabinets, bedside tables, shoe cabinets, and bookshelves.

▼趨于平直的位置放置沙發(fā)，the relatively flat space for a sofa ?逸刻

▼翹起的縫隙作為書架空間，the warped end for a bookshelf ?逸刻

▼卷曲空間放置床頭柜，the concave space for a nightstand ? 逸刻

s型曲線二｜S-shaped Wall No. 2

空間中只衛(wèi)生間使用了封閉的門，其他空間均未有封閉的門，致使各個空間之間形成互相的滲透。除了功能上的集合以外，曲面墻的弧線走向還很好地起到了空間之間過渡的視覺引導(dǎo)作用。曲線墻本身既作為空間的分割邊界，同時也是空間中的一部分。

By removing the use of doors in the space, just with the necessary one for the bathroom, all the function spaces therefore can seamlessly penetrate each other. The walls stretching out in curves offer not only the integrated functionality, but also visually guide the natural transition between spaces. In a nutshell, the S-shaped walls delineate each space, and also blend into the whole project as an intrinsic part.

▼曲面收尾構(gòu)成了梳妝空間，the concave space for a dresser ?逸刻

▼過渡段百葉簾空間分割，the blinds used for partition in the transition section ?逸刻

03.景情營造Setting

整體空間動線圍繞著曲線構(gòu)筑墻體形成一個中心式洄游動線，用穿針引線的方式將各個功能空間進行串聯(lián)并形成閉合回路。這樣的動線組織可以實現(xiàn)行走路徑的最小化和使用效率的最大化，可以不走回頭路地輕松到達各個空間。空間回路被打通了，進而就形成了無走動盡頭的家，讓行走在期間的人形成一種空間被放大了的錯覺。

A central migration line circling abound the S-shaped walls is naturally formed to offer a closed loop for occupants to smoothly thread their way through each function space. Such a well-organized moving line maximizes the space utilization, and allows occupants to easily reach every space with the shortest walking paths, no backtracking. It opens up and connects the spaces for an open plan design, making for a home that is much roomier with no ends.

▼洄游動線分析，Moving Line Analysis ?逸刻

園林設(shè)計中很注重造景，《園冶》開篇“興造論”有言：“園林巧于‘因’‘借’，精在‘體’‘宜’。本案在室內(nèi)居室環(huán)境中也希望能夠借鑒園林造景中的手法來營造一個可以游園的的家。

As a saying goes in China’s first summary of classical gardening techniques, Yuan Ye (Crafts of Gardening), “The aesthetic creation of gardening depends on the tailor-made design according to specific surroundings, in order to make it exquisite and appropriate.” Garden planning tends to attache great importance to landscape design. In this context, the interior decor design aims to deliver the poetic effect of “one step, one view” by co-opting multiple landscaping techniques.

▼入口峽谷空間，燈光從墻縫里面透出，仿佛是從另一個空間投射出來，The hidden lamp installed in the crack illuminates the canyon-like space at the entrance,creating a dreamy lighting effect as if it travelled here from another world ?逸刻

▼玄關(guān)處利用墻體形成實和虛的兩個界面形成視覺通廊，與客廳產(chǎn)生空間的滲透，卷曲的界面同時也是對下一個空間的暗示和引導(dǎo)，The elaborately designed wall at the porch links the virtual and solid spaces together, so as to deepen the view for a better visual corridor and to seamlessly penetrate into the living room. Moreover, its arc shape drops a hint of leading to the next function space ?逸刻

通過玄關(guān)就來到了由客廳、開放式廚房和書/餐桌組成的的復(fù)合空間，沙發(fā)放置于曲面墻構(gòu)成的環(huán)抱空間，圓形茶幾統(tǒng)領(lǐng)起整個空間，簡潔和櫥柜和窗戶組成了主要的界面，寬敞明亮。

Through the porch, a multi-functional space composed of a living room, an open-plan kitchen and a desk/table reveals in front of occupants. With the sofa standing against the curving wall, the round tea table in the center dominating the whole space, as well as the simple cabinets and windows, the whole space looks quite spacious and bright.

▼客廳，General View of the Living Room ?逸刻

▼廚房，General View of the Kitchen ?逸刻

▼辦公空間，General View of the Office ?逸刻

利用結(jié)構(gòu)梁打造成Stoa式空間，最終形成三層拱形結(jié)構(gòu)，強調(diào)視覺秩序，增加整個空間的景深，用綠植作為對景點綴。臥室陽臺處光線投射進來，營造了古希臘式的拱廊氛圍暗示空間的延展。

Constructed with structural beams, the Stoa space features triple arch structures to enhance both the visual order and the perception of depth, along with the lush greenery to spice up the whole decor. The light comes in through the panes leading out onto the balcony, which intensifies the vibe of Grecian columns and also drops a hint on the spacial extension.

▼Stoa式空間，Stoa space ?逸刻

臥室空間的衣柜使用半透明亞克力材質(zhì)，進行懸浮處理后仿佛是一面消失的衣柜，減少臥室空間的壓迫感。衛(wèi)生間采用三分離，手盆外置，手盆上部的弧線從天花落下呼應(yīng)了Stoa空間。

The clever material selection of translucent acrylic coupled with the suspension design makes the wardrobe quite invisible, so as to avoid the oppressive feeling in the bedroom. The bathroom space is divided into three parts: shower space, toilet space and the outside space for the vanity unite. And the arc above the sink naturally goes down from the ceiling, well echoing the Stoa space.

▼臥室空間，Bedroom ?逸刻