沐日光華還浴月，我欲乘桴

——浪淘沙?望海

01

溯

自然與藝術(shù)的穿行

我們擯棄原始空間多餘的牆與門，把佈局全局打通，形成一個洄遊流轉(zhuǎn)的自然空間。整個空間的佈局設(shè)計，均有其深刻的藝術(shù)溯源，濃郁的美學(xué)底蘊與現(xiàn)代極簡的表現(xiàn)形式並存，呈現(xiàn)出極致工藝與原生質(zhì)感的完美融合。

We discarded the redundant walls and doors in the original space, opened up the overall layout, and formed a natural space of migratory circulation. The layout design of the entire space has its profound artistic origin.

客廳的格局本為端方，在陽臺天花的弧形線條的中和下，帶來了一絲柔美的氣息，並借助弧形的玻璃設(shè)計，放大了戶外景觀。波光瀲灩，丹楹刻桷，滿目芳華，盡收眼底。

The layout of the living room is originally square, and under the curved lines of the balcony ceiling, it brings a touch of softness, and with the help of the curved glass design, the outdoor landscape is enlarged.

水光天色，清潁東流。微風泛起江面漣漪，絲絲入扣，為空間揚起一片藝術(shù)的風帆。江景的澄澈寧靜，與Living Divani 沙發(fā)的靜謐藍相得益彰，如一縷清風，如萬頃碧波，時間，仿佛就停泊在那一畔江心。

The sky is clear and the sky is clear, and the sky flows from the east. The breeze rippling the river surface, the slightest tangling, raises an artistic sail for the space. The clarity and tranquility of the river view complements the quiet blue of the Living Divani sofa.

B&B 品牌的UP5-6扶手椅佔據(jù)了我們的視覺重心，它仿佛是駐足在水煙處的一位舞者，在一圈圈散開的波紋與漣漪之間，回轉(zhuǎn)，停留，使靜止的空間產(chǎn)生流動的氣息。以咫尺之間的意象，予人流動輕盈，詩意蕩漾的想像，投射出人與自然和諧互動的關(guān)係。

The UP5-6 armchair of the B&B brand occupies our visual center of gravity. It is like a dancer stopping at the hookah, turning and staying between the scattered waves and ripples, making the static space flow.

由落葉窗引入的自然光，清透澄淨，仿佛山間潺潺的溪流，緩緩落入墨黑色的書架之中，穿梭、溯回、解構(gòu)、重塑，雕刻成一束束錯落有致的光影，於潔白牆面上優(yōu)雅駐足。

The natural light introduced by the deciduous window is clear and clear, like a gurgling stream in the mountains, slowly falling into the black bookshelf, shuttle, retrospect, deconstruction, and remodeling.

當夜幕降臨，天花處的線性燈光會喚醒空間沉睡已久的覺知，輪廓清晰又不失柔和，讓整個空間更具層次感和藝術(shù)氣息。

When night falls, the linear lighting at the ceiling will awaken the long-sleeping consciousness in the space, the outline is clear and soft, making the whole space more layered and artistic.

02

洄

滿目天光，流轉(zhuǎn)生輝

村上春樹曾說過：儀式是一件很重要的事情。他讓我們對事對人都心懷敬畏，讓我們更加珍惜生活中的點點滴滴。而這處開放式餐吧，則是男女主人共同營造生活儀式感的小天地。清晨，男主人烹煮香醇的咖啡，女主人播放著慵懶音樂，談天說地，簡單的日常點滴也別有一番愜意。在這裏，“生活儀式感”如期展開，一家人找到了久違的輕鬆和自在。

Haruki Murakami once said: Ceremony is a very important thing. He makes us awe about things and people, and makes us cherish the little things in life even more. And this open dining bar is a small world where the host and hostess create a sense of life rituals together. In the early morning, the hostess cooks fragrant coffee, the hostess plays lazy music, chatting, and simple daily routines are also not pleasant.

西廚區(qū)域是構(gòu)造整體空間動線的中心點，視線在此處聚集，又發(fā)散到客廳，主人房，中廚區(qū)。這種迂回流轉(zhuǎn)的趣味體驗來源於源遠流長的珠江，涓涓不壅，悠悠歸去，或乘風入雲(yún)，或化作春雨。MDF餐椅的白色肌理與柔然質(zhì)感相結(jié)合，營造了一種舒適溫暖的感覺。

The western kitchen area is the central point of constructing the overall space. The line of sight gathers here, and then diverges to the living room, master room, and Chinese kitchen area.

洄遊的遊園動線，構(gòu)成了空間之間的緊密連結(jié)，步移景異，動靜相宜，達成了空間之間的共情。

The moving lines of the migratory garden constitute a close connection between the spaces, and the scenes vary with each step.

03

澄

沐日光華還浴月,我欲乘桴

在納蘭性德的《浪淘沙·望海》中，描繪了這樣一幅畫面：清晨紅日初升，朝霞散彩，浮光躍金，靜影沉璧。剛沐浴完的詩人帶著濕漉漉的水霧緩緩爬上窗臺，看著那金燦燦的光輝灑向大海；夜晚素月東升，銀輝四瀉，暗藍色的天幕上閃爍的繁星和月亮的倒影，海水輕輕地搖盪著水上的月亮，月亮倒映到水中，宛如鑲嵌在江面上的一枚珍珠。詩人按捺不住澎湃的心潮，“我欲乘桴”，去探尋大海的秘密。

In Nalanxingde's "Waves Washing the Sand · Looking at the Sea", a picture is depicted: the red sun is rising in the early morning, the morning glow is scattered, the floating light jumps over gold, and the quiet shadow sinks.

而納蘭性德描繪的情與景，與主人房的情調(diào)氛圍有異曲同工之妙。主人房將天空和碧水的色彩融納其中，賦予了“水氣浮天天接水”的浪漫色調(diào)，目之所及皆是靜謐，平靜和安寧。

The emotions and scenery depicted by Nalanxingde are similar to the atmosphere of the master bedroom. The master bedroom incorporates the colors of the sky and the clear water, giving it a romantic tone of "water blisters catching water every day".

04

源

時光造境，溯源影歸

如果說主臥的設(shè)計是采天地之靈氣，集日月之光華，那麼次臥則是隱匿於林泉之間的一塊璞玉。露珠落在純潔而溫潤白色牆面上，在墨綠色櫃體的烘托下，更富藝術(shù)氣息。

If the design of the master bedroom is to capture the aura of the heavens and the earth and gather the brilliance of the sun and the moon, then the second bedroom is a piece of jade hidden among the springs.

軟裝佈置採用極簡的黑白色系，與純白的牆面相映成趣，大面積的百葉窗與自然光相容，編織成一道道錯落有致的光影，靜坐聆聽時間的流淌，感受眼前的點滴畫面，在生活節(jié)奏飛快的今天，是一種簡單而又奢侈的事情，也是認真生活的一種儀式感。

The soft decoration adopts the minimalist black and white system, which contrasts with the pure white wall. The large area of blinds is compatible with natural light, and weaves into a patchwork of light and shadow. Sit and listen to the flow of time, and feel the bit of picture in front of you.


專案地址丨中國 廣州

Project Address丨Guangzhou, China

設(shè)計面積丨150m2

Design Area丨150m2

設(shè)計時間丨2020.10

Design Time丨2020.10

竣工時間丨2021.09

Completion Time丨2021.09

設(shè)計單位丨廣州李友友室內(nèi)設(shè)計有限公司

Design Unit丨Evans Lee designers Co.,Ltd.

設(shè)計總監(jiān)丨李友友

Design Director丨Evans Lee

設(shè)計團隊丨Lynn，林佳子，何先權(quán)，關(guān)沛君

Design Team丨Lynn，JiaZi，Jackie，June

專案攝影丨翱翔

Project Photography丨Aoxiang