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風落芙蓉畫扇閑，涼隨春色到人間，乍垂羅幕乍飛鸞。

好把深杯添綠酒，休拈明鏡照蒼顏，浮生難得是清歡。 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?

? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? - - - 朱敦儒

玄 ?關

在有限空間范圍內(nèi)融入設計師對屋主生活的理解和需求的認知，用精細化的手法，通過細節(jié)勾勒和氛圍營造滿足受眾的精神向往。

In the limited space into the design of the understanding of life and needs of cognition, with a refined approach, through the details of the outline and atmosphere to create the spirit of the audience.

如何在好用的同時又能好看，這是我們一直致力于的創(chuàng)造內(nèi)容。

So how to use it well and look good at the same time, that's what we've been trying to create.

大多數(shù)時候，一個空間的遺憾是打開此空間潘多拉魔盒的切入口。

Most of the time, a space of regret is the opening to the Pandora's box of space.

我們在空間設計中，做出了較大的調(diào)整，打破了原有客廳的格局，人流動線的錯位調(diào)整，增加了一個獨立的儲物間，材質(zhì)上我們采用了溫潤的木飾面去處理，讓空間更有溫度。

In the space design, we made a big adjustment, broke the original living room pattern, people flow line dislocation adjustment, added an independent storage room, material we used the moist wood veneer to handle, to give the space a more structured feel.

客廳取消了傳統(tǒng)的家具擺放，客廳與書房形成新的空間關系，以書桌做隔斷作用，讓整體空間通透起來，延伸了空間感。

The abolition of the traditional living room furniture display, living room and study to form a new spatial relationship, to desk as a cut-off role, so that the overall space through, extending the sense of space.

無所謂至大至小，譬如前人敘述山水，好像要把整個宇宙都容納進去。花鳥蟲草看似微小，也能表現(xiàn)大自然的豐富性。荊浩撰述非常宏偉的山川，他看不到山川中的魚蟲，黃荃不見大山卻獨愛小蟲小草，但是他們都成就了千古佳話。

It does not matter to big to small, such as previous accounts of mountains and rivers, as if to accommodate the entire universe into. Flowers, birds, cordyceps seem to be small, but can also show the richness of nature. Jing Hao wrote of great mountains and rivers, where he could not see the fish and insects, and where Huang Quan could not see the mountains but loved the little worm and the grass, but they were the stuff of legend.

餐 ?廳

每個空間都有自己的符號，自己的語言。遵從它的特性，給予其足夠的想象，在不同空間的轉換之中使其更加立體，在平淡中創(chuàng)造趣味。

Each space has its own symbol, its own language. Follow its characteristics, give it enough imagination, in the transformation of different spaces to make it more three-dimensional, in plain to create fun.

書 ?房

屋主希望家中規(guī)劃的可以更隨性舒適一些，比如有面足夠大的書架，收納家中越來越多的書籍。隨處可以閱讀，隨手便可以拿放。

The owners want the home to be designed to be more casual and comfortable, with large enough shelves for the growing number of books in the house. You can read it anywhere, you can put it anywhere.

書桌側方的空間局部抬高，利用空間劃分出一個小的休息區(qū)，增加了親子空間，賦予特定收納，也培養(yǎng)了小朋友收納物品的生活習慣。

The space on the side of the desk is raised locally. The space is divided into a small rest area, which increases the space for parents and children.

一個空間中哪些是最珍貴的,陽光，清風，當然有美麗的人，還有從前的點點滴滴。人在成長的過程中總是希望可以做到盡善盡美，但很多時候，那個不完美的自己才成全了完整的自己。

A space which is the most precious, sunshine, breeze, of course, there are beautiful people, as well as the past dribs and drabs. You grow up wanting to be As Good as It Gets, but a lot of times, your imperfect self becomes your whole self.

臥 ?房

生活的美好不僅僅來自真實的自然，也可以來自內(nèi)心。很多事物，只有我們真正凝視它的時候，它才能緩慢的呈現(xiàn)出來。我們所熟悉的環(huán)境，每天都在與其相會，但是我們并沒有真正發(fā)現(xiàn)過他。

The beauty of life can come not only from the nature, but also from the heart. Many things, only when we really stare at it, it can slowly show up. That we're familiar with every day, but we haven't really found him.

日復一日的匆忙，忽視了它的表情，也讀不懂它的情緒，聽不到它的呼喚，我們成了生活的局外人。就像我們?nèi)藷o論有多大的悲喜，我們體內(nèi)的寄生菌都絲毫不為所動一樣。Day After Day in a?

hurry, ignore its expression, also can not read its mood, can not hear its call, we become the outlier of life. Just as the parasites in our bodies are unmoved by our joys and sorrows, no matter how great they may be.

但是，有一天，我有時間，我可以背上我的畫本，描繪我的愛人，我的孩子，我的親人。也許是門口的一棵樹，樹下的一顆不知名的野草，不認識的陌生人，都能令人欣喜而滿足。But one day, I?

have time, I can carry on my back my picture book, describe my lover, my children, my relatives. Perhaps a tree at the door, an unknown weed under the tree, a stranger you don't know, are all pleasing and satisfying.

走 ?道

Design drawing

設計圖