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▼該項目是設計師為自己設計的居所，房屋西面臨江環山，景色悠然。為了更好地襯托外界環境，室內空間的材質和色彩都運用得十分克制，以混凝土、洞石、樺木這些極具親和力的材質裝點，營造”自在、恰當“的氛圍。這不僅僅是一種設計手段，更多是設計師理想生活的一種縮影。

The project is a residence designed by the designer for himself. The west side of the house is surrounded by mountains and rivers, with leisurely scenery. ?In order to better set off the environment, the use of the materials and colors are restrained for the interior space, with concrete、cave stone、 birch, such as very friendly materials decoration, to create a "comfortable and appropriate" atmosphere. This is not only a means of design, but also an epitome of the designer's ideal life.

當打開垂簾，翠綠的山野映入眼前，午后的陽光通過窗臺的樺木材質反射，將整個空間“染”上昏黃，顯得恣意、悠然。以山為畫，以江河為毯，拋棄多余的裝飾性設計，透過大面的窗戶，在空間里回轉時能體會到不同樣貌的自然景色。

When the curtain is opened, the verdant mountains come into view. The afternoon sunlight is reflected through the birch material of the window, dyeing the whole space with a dim yellow, which looks carefree and leisurely. Taking mountains as paintings and rivers as blankets, get rid of unnecessary decorative designs, feel the different natural scenery when you turn around in the space through the window.

立面材質以黑色、灰色、木紋三個主要塊面來快速劃分不同的功能區，并設計了大量的隱蔽收納，來維持外部整潔性。

The facade material is made of three main blocks, black、gray and wood grain to quickly divide the different functional areas and a large number of hidden storage is designed to maintain the external cleanliness.

在設計語言統一的前提下，刻意將部分混凝土樓板裸露，這種不加修飾的粗獷紋理豐富了視覺層次。為了達到完美的視覺平衡，設計師將頂面、立面、家具之間的每一寸尺度都進行了反復的測算和調整。

Under the premise of unified design, part of the concrete floor slab is deliberately exposed, this kind of undecorated rough texture enriches the visual level. In order to achieve the perfect visual balance, the designer has repeatedly measured and adjusted every inch of the scale between the top surface, the facade and the furniture.

▼開放書柜以窗臺的延伸形態呈現，更加自然地處理兩個立面的轉換關系。

The open bookcase is presented as an extension of the windowsill, which deals with the transition between the two facades more naturally.

▼柜體與頂面的細節處理。

The details processing of cabinet body and top surface.

過程中設計師把握設計介入的分寸，致力利用自然給予的光、風、雨露，來帶動空間的情緒。

In the design process, the designer grasps the sense of propriety of design intervention and strives to make use of the light、wind、rain and dew given by nature to drive the emotion of the space.

▼通過黑、灰色兩個塊面之間形成通往廚房的入口，頂面暗裝移門軌道來保持簡潔的設計語言。

The entrance to the kitchen is formed between the black and gray surfaces and the top surface is hidden mounted sliding door tracks to keep the design simple.

臥室整體延續了樺木和水泥色的材質運用，頂面暖色燈帶營造的氛圍消除了水泥的冰冷感。
Bedrooms continuation of the materials used birch and cement-colored, the atmosphere created by the warm light on the top surface to eliminates the cold feeling of cement.

次臥室僅用了樺木一種材質，以不同的形態尺寸變換著不同的功能形式。樺木的質感除了外在的溫潤，還散發著一種特殊的清香。通過氣味感官營造出自然樸實的居住氛圍。

The secondary bedroom only used birch a kind of material, changing different functional form with different morphological dimension. In addition, the texture of birch is warm and moist, also send out a special fragrance. Through the smell sense to create a natural and simple living atmosphere.

▼在桌面一側設計了便于放置手機、眼鏡等隨身物品的細心設計。
On the side of the table, a careful design is designed to facilitate the placement of mobile phones、glasses and other personal items.